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HighQualityAudio


Version 56 (modified by slhck, 2 weeks ago) (diff)

add resources and update usable range of Opus based on literature

Guidelines for high quality lossy audio encoding

This guide is meant to help people new to encoding lossy audio to use the correct encoders and settings.

When should I transcode audio?

Avoid transcoding from a lossy format to the same or another lossy format when possible. Transcode to lossy from the lossless source (if you have it), or just copy the lossy source audio track instead of transcoding.

Another option if you have a lossless source is to transcode it to another lossless codec, like flac .

Generation loss

Transcoding from a lossy format like MP3, AAC, Vorbis, Opus, WMA, etc. to the same or different lossy format might degrade the audio quality even if the bitrate stays the same (or higher). This quality degradation might not be audible to you but it might be audible to others.
This post on hydrogenaudio.org demonstrates what will happen if you re-encode a file 100 times: http://www.hydrogenaud.io/forums/index.php?showtopic=100067

Copying audio tracks

If the target container format supports the audio codec of the source file then consider just muxing it into the output file without re-encoding. MKV supports virtually any audio codec. This can be achieved by specifying 'copy' as the audio codec.

Example:
Transcoding a WebM file (with VP8 video/Vorbis audio) to a MKV file (with H.264 video/unaltered Vorbis audio):

ffmpeg -i someFile.webm -c:a copy -c:v libx264 outFile.mkv

In some cases this might not be possible, because the target device/player doesn't support the codec or the target container format doesn't support the codec. Another reason to transcode might be that the source audio track is too big (it has a higher bitrate than what you want to use in the output file).

Audio encoders FFmpeg can use

FFmpeg can encode to a wide variety of lossy audio formats.

Here are some popular lossy formats with encoders listed that FFmpeg can use:

Dolby Digital: ac3
Dolby Digital Plus: eac3
MP2: libtwolame, mp2
Windows Media Audio 1: wmav1
Windows Media Audio 2: wmav2
AAC LC: libfdk_aac, aac
HE-AAC: libfdk_aac
Vorbis: libvorbis, vorbis
MP3: libmp3lame, libshine
Opus: libopus

Based on quality produced from high to low:

libopus > libvorbis >= libfdk_aac > aac > libmp3lame >= eac3/ac3 > libtwolame > vorbis > mp2 > wmav2/wmav1

For AAC-LC:

libfdk_aac > aac

NOTE: as of 2017 this is no longer necessarily the case. The built in aac encoder is quite good.

The >= sign means greater or the same quality.
This list is just a general guide and there may be cases where a codec listed to the right will perform better than one listed to the left at certain bitrates.
The highest quality internal/native encoder available in FFmpeg without any external libraries is aac.

Please note it is not recommended to use the experimental vorbis for Vorbis encoding; use libvorbis instead.
Please note that wmav1 and wmav2 don't seem to be able to reach transparency at any given bitrate.

Container formats

Only certain audio codecs will be able to fit in your target output file.

ContainerAudio formats supported
MKV/MKAVorbis, MP2, MP3, LC-AAC, HE-AAC, WMAv1, WMAv2, AC3, eAC3, Opus
MP4/M4AMP2, MP3, LC-AAC, HE-AAC, AC3
FLV/F4VMP3, LC-AAC, HE-AAC
3GP/3G2LC-AAC, HE-AAC
MPGMP2, MP3
PS/TS StreamMP2, MP3, LC-AAC, HE-AAC, AC3
M2TSAC3, eAC3
VOBMP2, AC3
RMVBVorbis, HE-AAC
WebMVorbis, Opus
OGGVorbis, Opus

Please note that there are more container formats available than those listed above.

Recommended minimum bitrates to use

The bitrates listed here assume 2-channel stereo and a sample rate of 44.1kHz or 48kHz. Mono, speech, and quiet audio may require fewer bits.

  • libopus – usable range ≥ 32Kbps. Recommended range ≥ 64Kbps
  • libfdk_aac default AAC LC profile – recommended range ≥ 128Kbps; see AAC Encoding Guide.
  • libfdk_aac -profile:a aac_he_v2 – usable range ≤ 48Kbps CBR. Transparency: Does not reach transparency. Use AAC LC instead to achieve transparency
  • libfdk_aac -profile:a aac_he – usable range ≥ 48Kbps and ≤ 80Kbps CBR. Transparency: Does not reach transparency. Use AAC LC instead to achieve transparency
  • libvorbis – usable range ≥ 96Kbps. Recommended range -aq 4 (≥ 128Kbps)
  • libmp3lame – usable range ≥ 128Kbps. Recommended range -aq 2 (≥ 192Kbps)
  • ac3 or eac3 – usable range ≥ 160Kbps. Recommended range ≥ 160Kbps

Example of usage:

ffmpeg -i input.wav -c:a libfaac -q:a 330 -cutoff 15000 output.m4a
  • aac – usable range ≥ 32Kbps (depending on profile and audio). Recommended range ≥ 128Kbps
    Example of usage:
    ffmpeg -i input.wav output.m4a
    
  • libtwolame – usable range ≥ 192Kbps. Recommended range ≥ 256Kbps
  • mp2 – usable range ≥ 320Kbps. Recommended range ≥ 320Kbps

The vorbis and wmav1/wmav2 encoders are not worth using.
The wmav1/wmav2 encoder does not reach transparency at any bitrate.
The vorbis encoder does not use the bitrate specified in FFmpeg. On some samples it does sound reasonable, but the bitrate is very high.

To calculate the bitrate to use for multi-channel audio: (bitrate for stereo) x (channels / 2).
Example for 5.1(6 channels) Vorbis audio: 128Kbps x (6 / 2) = 384Kbps


When compatibility with hardware players doesn't matter then use libvorbis in a MKV container when libfdk_aac isn't available.
-Note - libopus will likely give higher quality
When compatibility with hardware players does matter then use libmp3lame or ac3 in a MP4/MKV container when libfdk_aac isn't available.
Transparency means the encoded audio sounds indistinguishable from the audio in the source file.
Some codecs have a more efficient variable bitrate (VBR) mode which optimizes to a given, constant quality level rather than having variable quality at a given, constant bitrate (CBR). The info above is for CBR. VBR is more efficient than CBR but may not be as hardware-compatible.

Resources